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Ann Demeulemeester black front tied jacket with wide kimono sleeves — pre-spring 1993
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Yohji Yamamoto black minimalist jacket with white geometric pattern embroidery
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A.F. Vandevorst black shirt with extra long quadruple folded cuffs — 1998/1999
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Maison Martin Margiela 6 dark green heavy knit armwarmers — fall 2004
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Maison Martin Margiela raspberry pink long cardigan with 4 sleeves — fall 2007
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Y’s Yohji Yamamoto black long mermaid skirt with frayed hemline
New
but not 'new'
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Ann Demeulemeester black front tied jacket with wide kimono sleeves — pre-spring 1993
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Yohji Yamamoto black minimalist jacket with white geometric pattern embroidery
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A.F. Vandevorst black shirt with extra long quadruple folded cuffs — 1998/1999
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Maison Martin Margiela 6 dark green heavy knit armwarmers — fall 2004
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Maison Martin Margiela raspberry pink long cardigan with 4 sleeves — fall 2007
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Y’s Yohji Yamamoto black long mermaid skirt with frayed hemline
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Y’s Yohji Yamamoto black short blazer-style jacket with wide lapels
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Ann Demeulemeester black skinny tie with bleached paint splatters — fall 2005
New
but not 'new'
-
Ann Demeulemeester black front tied jacket with wide kimono sleeves — pre-spring 1993
-
Yohji Yamamoto black minimalist jacket with white geometric pattern embroidery
-
A.F. Vandevorst black shirt with extra long quadruple folded cuffs — 1998/1999
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Maison Martin Margiela 6 dark green heavy knit armwarmers — fall 2004
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Maison Martin Margiela raspberry pink long cardigan with 4 sleeves — fall 2007
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Y’s Yohji Yamamoto black long mermaid skirt with frayed hemline
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Maison Martin Margiela 6 dark green heavy knit armwarmers — fall 2004
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Maison Martin Margiela raspberry pink long cardigan with 4 sleeves — fall 2007
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Maison Martin Margiela 11 red extra long wool tabi gloves
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Maison Martin Margiela dark blue intentionally destroyed skirt with loose threads — fall 2000
Shop all Margiela >
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Maison Martin Margiela 6 dark green heavy knit armwarmers — fall 2004
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Maison Martin Margiela raspberry pink long cardigan with 4 sleeves — fall 2007
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Maison Martin Margiela 11 red extra long wool tabi gloves
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Maison Martin Margiela dark blue intentionally destroyed skirt with loose threads — fall 2000
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Maison Martin Margiela black reversed jumper with neckline on the back — fall 2007
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Maison Martin Margiela backless grey front loop top with back elastic — spring 2006
We do not only sell pieces, we also aim to keep an archive of the most iconic pieces we sold. By creating this online fashion library, we want to honour the history and work of the designers and give you the opportunity to enjoy and explore these archival pieces.
Currently we are keeping an archive of the following avant-garde designers: A.F. Vandevorst, Ann Demeulemeester, Comme des Garçons, Dries Van Noten, Haider Ackermann, Issey Miyake, Junya Watanabe, Rick Owens, and our most extensive one: Maison Martin Margiela, with subdivisions for the Margiela Artisanal Garments and the Tabi Boots.
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Maison Martin Margiela grey inside-out shift dress with diagonal pleats and frayed edges — 1994/1995 re-edition of fall 1993
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Dirk Bikkembergs black combat boots wrapped with laces through the soles (42) — mid 90’s
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Ann Demeulemeester black leather coin pouch on a necklace
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Dries Van Noten salmon and red oversized shaggy faux fur scarf — fall 2018
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Maison Martin Margiela grey top with silver chain in the black silk hem — spring 1999
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Junya Watanabe black cocoon poncho with front slits — fall 1996
We do not only sell pieces, we also aim to keep an archive of the most iconic pieces we sold. By creating this online fashion library, we want to honour the history and work of the designers and give you the opportunity to enjoy and explore these archival pieces.
Currently we are keeping an archive of the following avant-garde designers: A.F. Vandevorst, Ann Demeulemeester, Comme des Garçons, Dries Van Noten, Haider Ackermann, Issey Miyake, Junya Watanabe, Rick Owens, and our most extensive one: Maison Martin Margiela, with subdivisions for the Margiela Artisanal Garments and the Tabi Boots.
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A.F. Vandevorst black latex bodysuit with turtleneck and long sleeves — fall 2017 couture
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Dirk Bikkembergs black tall boots with laces through the soles (37.5) — late 90’s
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Ann Demeulemeester black wool trenchcoat with double breasted rows of buttons — fall 2017
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Ann Demeulemeester black long double breasted coat with sheepskin collar — fall 2006
About Vaniitas
Vaniitas is a Belgium based store (formerly located in Antwerp). We are currently only selling online, and do not longer accept appointments.
We sell a curated selection of vintage designer clothing from the early 90’s to the 2010’s and aim to offer you as much history on the pieces as possible.
Although we had loads of archivel designers, from Margiela to archive Helmut Lang and Hussein Chalayan, we found we had to narrow it down and find our niche. Looking at our fashion history, bringing forth the Antwerp Six and Martin Margiela, and as the chauvinists we are, we started focusing on the Belgian and Japanese avant-garde.
Belgian Designers
New lexicons of clothing were created and the essence of wabi-sabi present in the work of these Japanese aesthetes touched the soul of many young designers deeply. These young designers, who were looking for a new meaning to express their creativity through clothes, included the fashion students of the Antwerp Six: Ann Demeulemeester, Dries Van Noten, Walter Van Beirendonck, Dirk Bikkembergs, Dirk Van Saene and Marina Yee.
The breakthrough occurred in 1986 as the group rented a truck and set out for the London Fashion Week with their collections. Confident that there would be other, less conventional ways than those of the established system, the revolutionary group rented a truck in 1986 and set out for the London Fashion Week with their collections, earning themselves the name ‘Antwerp Six’.
So began a new wave that would rock the foundations of Western fashion and paradigms established by haute couture and already shaken by the Japanese designers.
Japanese Designers
We included these Japanese designers because without Issey Miyake, Rei Kawakubo of Comme des Garçons or Yohji Yamamoto there would be no Antwerp Six, Martin Margiela or deconstruction.
Their radical thinking translated into radical attires: garments reconstructed through the deconstruction of conventional patterns; monochromatic, focusing on ascetic and mysterious black; unusual volumes, sometimes over-sized proportions; asymmetry; overlapping; rips; seams and hems on the outside, taking part in the design process; unfinished garments; knots and bows as fastenings, keeping the pieces in place; faded boundaries between male and female.
Maison Martin Margiela
One of the Belgian school would take the poetics of deconstruction initiated by the Japanese designers even further – Martin Margiela.
Margiela, another Belgian contemporary, was not actually part of the group that showed in London, although he is often mistakenly described as one of the Antwerp Six; he had moved to Paris, initially working for Jean Paul Gaultier.
Martin Margiela found his own voice through a radical aesthetic: he maximised deconstruction and dissection of the garments, making this process a form of reflection; he moved elements, such as sleeves or collars, forcing the wearer to put them on sideways or backwards, and making garments appear two-dimensional when laid flat.
Where as couture used to be this grand spectacle of opulence, Martin preferred to work with found objects, recycling and upcycling them, following the thinking pattern of arte povera. This influence could also be found in the knitwear produced by Miss Deanna, featuring pulled hems, garments produced with tears and loose threads, stretched out jumpers.
His most iconic work might be the tabi boot, an interpretation of the split-toed tabi boots or jika-tabi, worn by Japanese workers. By putting a heel under the tabi boot, their initial function as a working shoe was completely transformed.
Over the years there have been many versions, from graffiti and cemented versions, to the most extreme sole-version that had to be duct-taped to the models’ feet.
When asked: ‘what is the most important footprint of your career?’ Martin Margiela stated: “it’s the Tabi boot.” It’s recognisable and it has been there for more than 25 years now – it’s there, and it still goes on, and it has never been copied. It’s an incredible story.”
Archive collections
It is hard to not understand our love of these iconic designers, changing the way we think and look at clothing and women’s bodies.
As a store, but also collectors, we try to gather as many historical pieces to distribute to fellow aficionados. To avoid keeping these items landing in private collections or just in the fashion museum archives, we keep our archive collection online. This way, we these pieces on exhibition for everyone to view. We’re not just a store; we aim to be a digital fashion library, keeping the history of these designers alive.